original motion picture soundtrack for the 2018 movie halloween. housed in a gatefold sleeve with download code included.

ltd 2019 repress - sprung up from his much-fêted clubnight of the same name, bradley zero has enlisted fellow peckham local al dobson jr to inaugurate rhythm section international with this: rye lane volume 1, an 11 track mini-lp stuffed to the rafters with summery goodness. the importance of location on rye lane volume 1 appears both tantamount and inconsequential: many of the titles on offer dot specific points of reference on the map (peru, grenada, cameroon, columbia, peckhams rye lane), but dobson jr does his best to melt these heterogeneous influences down into something definably his own

something bewtten house and electro music!

von italo bis dark disco und slow mo, alles schön tanzbar im clubformat verpackt.

phil collins’ 1990 live album back on double vinyl, housed in a gatefold sleeve.

the blues roots grow surprisingly deep in the finnish music scene. from this fertile ground rises singer emilia sisco, who debuts on timmion with her phenomenal single -don t believe you like that-. with her strong background in fusing blues, r&b and jazz, emilia apparently slips also nicely into the dark soulful grooves of cold diamond & mink. in -don t believe you like that- emilia sets herself into the role of a mistreated lover, who still tries to see a speck of hope in the doomed relationship. by dubbing herself, and accompanying the lyric with graceful harmonies, she succeeds in building a powerful beat ballad, that should appeal to the darker end of the dance floor. there s a special lane in history for soul music this understated. it s cool and intimate at the same time, like there s something dangerous lurking under the surface. so roll up something nice, if that s your thing, and hop along for the ride.

its tempting to think that the opening of schloss02, which features the sound of track racing behind a cavernous broken kick, has some connection with the fact that dj/producer karima f runs schloss out of a disused porsche repair shop with contemporary artist ida ekblad. but then you might start to wonder about other details, like whether her production is influenced by a teenage effort to fit in with the cool kids by playing the violin (it isnt). the three songs on the debut 12- of oslo mainstay karima f take off in their own direction, tripping through bleeps and metallic riffs on the way to something more ethereal.

vier atemberaubende remixe von unserem fabrizio mammarella. front de cadeux, das sind hugo sanchez aus rom und dj athome aus brüssel.

vier atemberaubende remixe von unserem fabrizio mammarella. front de cadeux, das sind hugo sanchez aus rom und dj athome aus brüssel.

the 3rd album from dead or alive back on audiophile 180 gram vinyl.

the herdersmat series continues. 4x12 inch vinyl in printed slipcase.

lootbeg is no stranger to releasing quality music. with notable releases on crow castle cuts and o*rs he also finds time to act as label head for -a friend in need-. the travel to planet trance is being played monthly at sensu s club night at sub club in glasgow, such is the allure of the melodic pensiveness of the lead track. cydonia mensae offers a similar feel for those looking for something a little more stripped back. on the bside eupen lends a groovier house option before things get a little harder and darker with relate.

carl finlow comes with a beautiful elektro ep. if you like the sound of kraftwerk this is something for you.

muse are back with their eighth studio album “simulation theory”.

daniel brandt, co-founder of acclaimed german ensemble brandt brauer frick, is set to release his second solo album for london imprint erased tapes on october 12th. titled channels, the new record follows the release of the london and berlin based producer’s solo debut eternal something from 2017. the seven-track lp is brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. following on from eternal something, which captured a contemplative kind of isolationism, with channels brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context. after performing and recording steve reich’s six pianos in a group of six, brandt began regularly composing long meditations on the piano, something that permeates the sound of the new record. its frenetic energy and shape-shifting identity was also born out of touring with his new band eternal something — comprised of brandt on piano, drums and synthesisers, pascal bideau on guitar and bass, plus florian juncker on trombone — and a desire to translate both the sound and spiritual unity of their live shows in which musicians locked together to create an intriguing meld of expansive works.
limited pressing on clear vinyl with download code included.

daniel brandt, co-founder of acclaimed german ensemble brandt brauer frick, is set to release his second solo album for london imprint erased tapes on october 12th. titled channels, the new record follows the release of the london and berlin based producer’s solo debut eternal something from 2017. the seven-track lp is brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. following on from eternal something, which captured a contemplative kind of isolationism, with channels brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context. after performing and recording steve reich’s six pianos in a group of six, brandt began regularly composing long meditations on the piano, something that permeates the sound of the new record. its frenetic energy and shape-shifting identity was also born out of touring with his new band eternal something — comprised of brandt on piano, drums and synthesisers, pascal bideau on guitar and bass, plus florian juncker on trombone — and a desire to translate both the sound and spiritual unity of their live shows in which musicians locked together to create an intriguing meld of expansive works.
standard pressing on black vinyl with download code included.

limited grey double vinyl release with download code included.

the 3rd album from french togolese band vaudou game is a fantastic funk trip on double vinyl.

generic white sleeve / no artwork. please welcome frankfurts very own einzelkind as the latest addition to our artist pool. his first single 12inch contribution for cocoon recordings seems to be endless and gets nicely spiced up with hypnotic vocal elements and discoide space sounds. free savioni already made the terrace floor on one of our cocoon ibiza nights move big time. it actually had such a strong impact that we immediately had to sign it after einzelkind played it! aya curanderito on the flip side sounds like a late night party deep in the forest witch trolls dancing around a fire, this is deep shamanic business with a slight villalobos touch (no wonder as the two joined forces before for some other releases already). cool and trippy, something for the long nighs at the infamous robert johnson club or berlins panoramabar. welcome se±or einzelkind!

cool tech hous four tracker by christian jay and rob amboule

ltd edition on clear 180 g vinyl with download card

180 g vinyl lp incl. mp3 download

the noir music sub-label relaunches itself with a bang – a heavy double a-sider with strong remixes from skudge and andré kronert – finished off with a nice new overall cover artwork.

relaxed and laidback deep house / acid house --- chicago flavours

the accidental jnr label has just passed it s second birthday mark... so at 2 years and 15 releases in it only seems appropriate for the next 12- release to come from the artist that kicked the label off and has made it his home for the past 2 years... bambooman, with a remix from label boss matthew herbert himself on the b-side. the track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play... dj support: gilles peterson, andrew thompson (huntley s & palmers), laurent garnier, simeon mobile disco, eclair fifi, bake, luke solomon, eliphino, severino panzetta, red axes, andrew weatherall, dixon...

beraadgeslagen, or drummer lander gyselinck (stuff., labtrio, etc) and keyboardist / singer fulco ottervanger (stadt, de beren gieren, etc) together on the tandem. a musical think tank with drums, keys, texts and bells. for ten years they have been playing together in the most invisible places, but every now and then they show themselves to the world with disco classics that never reached the market. soulful and unpredictable. funcy 2018. balancing between surrender and control, that s how beraadgeslagen, and music in its entirety, is at its best.de standaard like the music at an amusement park attraction the efteling fairies on acid, something like that, or as a mo wax groove that was teleported from the nineties. – de morgen

tact recordings vinyl only sub-label tactics returns this august with tactics vol.3 , a three-tracker coming courtesy of label co-founder fletcher.berlin-based producer and dj (richard) fletcher, also known as one half of duo adventures in daydreams, has been steadily carving out his own brand of soul infused house and techno over the years, picking up support along the way from luminaries such as larry heard, oskar offerman, mr. g and ivan smagghe along the way as well as shows on his home turf at berlin hotspots like ://about blank, sisyphos and golden gate amongst others.leading on the package is oildrum with skippy hats, bumpy wooden percussive hits and a snaking bass groove throughout as modulating synth whirrs and airy pads silkily ebb and flow within. faucet follows, featuring long time tact recordings artist luke black, edging things into dubbier realms via ethereal, billowing chords, rumbling sub bass tones and metallic percussive chimes to create something raw and hypnotic before brewed rounds out the package, this time round laying focus on a swinging organic drum groove, bubbling, glitched-out synth tones and ever-unfolding atmospherics continually keeping the tension building throughout.

a hiatus is always something needed to experience, silence is a process in which one can value and have a closer perspective within sound. an-archon come to brake that silence, hermes is on duties for it delivering two massive harsh noise weapons, samuel kerridge and caos + inmediatismo complete the ep on remixing labors. no one can escape from the an-archon.
pressing on 180g vinyl, housed in a printed sleeve.

"moscow is the city full of posh decorations. like a black hole, it’s gorging clouds of chaotic ideas. madly fast, it’s flooded with shallow hippies, jealous dealers and susceptible artists. everyone desires to have its own piece of luck, looking for the shortest way to some easy life. most of the nomads arrive from the capital suburbs and other big cities of immensely corrupted russia. everyone can tell a tale from outskirt. senseless rivalry and art falsity together make the special demands: your tale has to amaze, to inculcate; you must do something notable, freaky one and truthful. to dare to let it. there are no any rules. your voice has no matter, the only important is a sales skill. the local scene is tired of identical copying outside world’s standards. thereby the more your approach is unacceptable, the more valued is it. but the more it’s valued, the faster it will depreciate. the glossy shell with cheap content is the way to survive in such a tight plexus of cruel love, substance abuse and electronic music."

german producer and dj boys noize has announced the release of his much-anticipated cover version of adamski and seal’s 1990 rave classic ‘killer’ on 12&#8243, vinyl, via the vinyl factory and boysnoize records. featuring vocalist steven a. clark, the original 12&#8243, version is backed by an instrumental, both of which you can listen to below: as boys noize says: “being a ’90s kid i kind of grew up with this song which later became one of these tunes i’d play out at the end of the night. when i met steven and heard his voice for the first time i immediately thought of that track and the idea of doing a cover version was born. it was initially just for fun but it turned banging and lit the dance floors wherever i’d drop it.” adamski and seal’s original represented something of a breakthrough for both the producer and vocalist, spending four weeks at the top of the uk singles chart in the summer of 1990. speaking to journalist dave simpson in the guardian in 2013 seal explains the impact the song had on his career: “within a week, i went from being a relative nobody – this weird guy at raves, with silver bits in my hair – to a household name.” boys noize’ ‘killer’ is out now on 12&#8243, vinyl, limited to 500 copies.

die neue “soul togetherness 2018” enthält 15 modern-soul-highlights des jahres, die teils erstmals auf tonträger erscheinen. darunter sind grandiose songs von cornell c.c. carter, kenny thomas, jaki graham, john reid und james day (in teils exklusiven extended versions), die rückkehr von change und the richie family, die beiden künstler brian courtney wilson und lexi von motowns neuem gospel-label, dance-grooves der newcomer the apx und imaa, vintage-soul von ernest ernie & the sincerities, soul-garage-hymnen von dj spen und prefix one, sowie der fabelhafte mousse t feat. peven everett.

check b1 , played by marcel dettmann, amelie lens... the first of three samplers, comprised of selected tracks taken from spencer parker s new album, dance music out via his own label work them records. “there was no real concept behind the album, all i knew is that i wanted to do something honest. the tracks i make are the tracks i play in my sets and tracks i want people to dance to - that s where the title comes from.- - spencer parker. part one of the sampler opens with it was just a dream , a ghostly cauldron of glitches, bleeps and sound bites that locks you into a dazed state of hypnosis. next up, the oh hits with a taste of classic house, marrying emotive stabs, a tough kick and fizzing ride cymbals. on the b side, you re under my control now takes the sound industrial combining a kraftwerk-esque metronomic breath with rapid fire toms and a dynamic kick. absolutely raving closes out the first of parker s dance music samplers offering a rave leaning techno weapon that wouldn t be out of place in the hallowed grounds of berghain.

this ep combines the veteran talents of kniteforce label owner dj luna-c, with the debut release of kniteforce radio owner, the lowercase, and comes up with something quite unique. a love for heavy beats and inspired by some of the toughest old skool around, the ep delves into the underground in a big way, throwing caution to the wind and layering multiple breakbeats and aggressive stabs together to make a wall of hard sound, just like it was back in the day.

nadanna is extremely proud and excited to present tobias bernstrup’s new album “technophobic”. bernstrup who works both as a visual artist and musician has been touring worldwide since the late 1990s and positioned himself as one of the leading re-inventors of italo disco with his unique mix of italo, synthpop and gothic noir. he has created his own unmistakable stage persona wearing androgynous outfits in shiny latex and heavy make-up. tobias has collaborated with seminal artists such as trans-x, apoptygma berzerk, martial canterel, xeno & oaklander, lebanon hanover, and she past away. “technophobic” contains 10 smashing tracks including the recent single “utopia”, and “metropolis of tomorrow” featuring french dark synth wave artist hante. combining influences from classic synthpop, minimal wave, dark wave in a retro futuristic manner tobias bernstrup has created an album reminiscent of the 80s but in a contemporary context of sound landscape.

a matter of concepts is a very personal selection of songs by recent, active underground bands and artists that we love at dwr. coming from the uk, us, the netherlands, canada, france, russia, australia and ranging from post-punk to coldwave to synth-pop to indie. fast paced and dancey or romantic and moody, there’s something for every soul here. we regard all of these songs as ‘modern instant classics’ and we bet that you’ll love them, too!! a matter of concepts is presented in a limited, hand numbered edition of 205 black vinyl copies housed in a matt sleeve with printed inner sleeve (credits / band pics) and including a download code. all songs have been mastered (or re-mastered) specifically for this vinyl release and its accompanying download.

&#8203,,&#8203,,introducing paris-based contemporary sculptor and music maker erwan sene joining the exponential unknown precept roster. gathering pieces thought of as little narratives for his debut release, not without a bit french irony around the concept of work, i heard you laughing wavers towards mechanical repetition and something more outdated at times. purposely slowing down the tempo to fit the apparent redundancy of an industrial environment and its steadily running engines. an eroded atmosphere of sorts, analogous to the smokestacks emanating from factory chimneys. accentuating the ambiguity of a wild thought which is hard to grasp. despite its machine-driven aspect, sene primary questions the difficulty to manage one s life stuck in a primitive mindset, making intuitive associations in a grid pattern. carbon copy music for the tangled minds out there, leaving room for nothing but sedated feelings.

for the first time available on vinyl! 180 gram pressing with download code included.

next up in this ongoing split-ep series are two equally talented producers from different ends of the spectrum, both sharing their unique viewpoints on that special dreamspace of self-awareness and how the way there actually sounds like! following his explosive figure-ep just this recent summer, juxta position now reveals his more sublime side on these two technoid journeys. keeping it raw and beautiful, the analogue lover lets his synths engage in dialogue, floating through murky realms and simply getting lost in the groove. a new face for figure and definitely one to watch is pablo mateo. taking a likewise subtle yet distinctly more grounded approach, his tunes unfold slowly and each tell their entirely own storyline. tomo is an extraordinary specimen of how a track grows past its confines, into something genuinely touching and can eventually open up that space inside and what lies beyond!

after many years of steady work bristol-based artist joefarr created a well-respected profile on his own, he is now joining the label showing a side of his works that many never saw probably, and others always knew but never saw on a record. development always takes time, and time is nothing when the art comes out in his true form. this is “dedicate” - a very important record that represents something deeper than a peace of wax, label boss emmanuel took the big responsibility to remix the title track and make his own view of joefarr’s dedication.

hekla’s music exists singularly. a one-off talent, emerging from no particular scene, ascribing to no particular rules.
as a creative tool, the theremin - bizarre, unique, and rarely heard - can be expressive, intuitive and highly adaptable. in hekla’s hands, her instrument covers an enormous range, from skittering birdsong of high frequency chirrups and chirps, to grinding, tectonic sub-bass. we are given the throbbing, apocalyptic dread of muddle and the baroque beauty of traditional icelandic hymn “heyr himna smi&#8706,,ur” in sequential tracks on the album’s a-side. appropriately, she also writes that the album title - Á - is similarly multifaceted in her native icelandic: “a river is an á and also it means ouch like when you hurt yourself, and also when you put something on top of something you put it á (on) something.”

“hulled” is a 25 minute journey spread across 4 tracks of glacial abandon. all tracks were recorded directly to tape with no overdubs, made at converse’s home studio. bill says these tracks represent “ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful.” the songs on this album reveal a sublime influence from detroit techno, idm, and acid. built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral. all songs were mastered for vinyl by george horn at fantasy studios in berkeley. each ep is housed in a die-cute jacket designed by eloise leigh with peachy pink patterns landing on an alien water planet and seeing mysterious playing forms under the turquoise water. and the. each copy includes a postcard featuring photo of bill with notes.

the free fall, to dive head first into something, is scary for most people. for some it is the most exciting thing however and the only possible path anyways. florian is one of those driven artists who never sounds the same, his signature tone is the free fall into new soundscapes, new ways of using his analog electronic instruments and carving out the essence for the dancing individual.

(2x12 inch gatefold lp+cd) kinobe scored one of the biggest chill-out club hits of the noughties, the deathless slip into something more comfortable. known from dancefloors, club backrooms, bars, radio spins, cafe del mar compilations and tv spots the world over - most famously the femme fatale kronenbourg beer advert - slip established the duo at the forefront of a scene that still includes groove armada, air, royksopp and zero 7.

this is something in between underground & commercial in a good way... patricio cabezas is an experienced musician and producer, born in chile but lives and works in sweden. after years as a touring bass player, he dedicated himself to start programming synthesizers and producing electronic music. in his music, cabezas embraces the grey zones and in-between-ness that formed him since childhood. he approaches music the same way, discovering and experimenting, almost hybridize genres and moves between live and programmed performances. in 2015 the tom ep was released under his alias this other space on tasteful nudes/argot. cabezas is also working in collaboration with dagfest (paper recordings, bearded man, melodica) and 95kbps (krater).

the fantastic new single from okinawa delays feat. the delightful vocals of satoko ishimine is a cover version of the neil young/ nicolette larson classic. limited first edition twelve inch on light blue transparent vinyl & comes with fine selection of remixes from phil mison, psychmagik & willie graf & darren eboli. okinawa delays consists of the talented producer takeo toyama aka dj mizuki and the singer satoko ishimine. takeo met satoko almost five years ago when he hosted a party on irabu island that is a one of the distant islands of okinawa. we basically thought to make something like aor tracks like dusty springfield or fleetwood mac instead of city pop, also satoko likes that song, so we decided to go for it and im very pleased with the result.

moresounds has such a legit and individual quality to his music. it has humour and light heartedness but will also destroy a dance-floor in true sound clash style. so when he casually sent fracture the warriah vip he knew he had to do something with it. it was a perfect fit for the astrophonica apha ltd series, moresounds’ individual style and individually hand screen printed sleeves. warriah vip sees moresounds aka germain bigou revisit his scorcher from 2017’s gradients compilation. pure sound killer material straight from moresounds parisienne lab. the breaks have been smashed and the clash samples have been dubbed out in that unmistakable analogue heavy style. released on limited edition single sided 10inch vinyl with hand screen printed dual colour (black & white) 3mm spined reverse board matte sleeves + black paper inners.

attempting to pigeonhole 79.5 into something as narrow as a single genre would be an ill advised, if not impossible task. the new york city band sounds like someone spinning a radio dial with such passionate intensity that all the stations blend together into a single, transcendent, almost spiritual force. its disco to the beat of modern house, its a supremes cover of a cardi b banger, its roland kirk playing jazz through one saxophone, funk through another, and the most earwormy pop tune the 1970s could muster through a third. its an experience one so effecting that with only a self-released 12inch single in circulation, 79.5 had been written up twice in the new yorker on the merit of their live sets alone. their debut album predictions is produced by leon michels and was recorded at the diamond mine in queens the old school way, with the whole band playing the songs in one take and captured to analog tape.

prenzlauer berg ist das dritte album von sichtbeton, diesmal komplett allein geschrieben und produziert von lunte. 12 tracks aus dem leben eines thirty-something im großstadtdschungel und die spürbaren veränderungen, die man nicht nur im prenzlauer berg durchlebt. neben dem regulären album enthält die 2lp zusätzlich sechs remixe von dexter, retrogott, suff daddy, the beep, knowsum und mecstreem und deren instrumentals.